<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://enlightenment-revolution.org/index.php?action=history&amp;feed=atom&amp;title=Breitinger%2C_Johann_Jakob</id>
	<title>Breitinger, Johann Jakob - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://enlightenment-revolution.org/index.php?action=history&amp;feed=atom&amp;title=Breitinger%2C_Johann_Jakob"/>
	<link rel="alternate" type="text/html" href="https://enlightenment-revolution.org/index.php?title=Breitinger,_Johann_Jakob&amp;action=history"/>
	<updated>2026-04-22T07:00:48Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.39.2</generator>
	<entry>
		<id>https://enlightenment-revolution.org/index.php?title=Breitinger,_Johann_Jakob&amp;diff=875&amp;oldid=prev</id>
		<title>Toubiana at 00:58, 11 April 2008</title>
		<link rel="alternate" type="text/html" href="https://enlightenment-revolution.org/index.php?title=Breitinger,_Johann_Jakob&amp;diff=875&amp;oldid=prev"/>
		<updated>2008-04-11T00:58:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:58, 10 April 2008&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;F. Radant, &amp;#039;&amp;#039;From Baroque to Storm and Stress&amp;#039;&amp;#039;, 1977.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;F. Radant, &amp;#039;&amp;#039;From Baroque to Storm and Stress&amp;#039;&amp;#039;, 1977.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;B. Keith Murphy&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;B. Keith Murphy&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fort Valley State University&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key w_enlightenment_revolution_org:diff::1.12:old-130:rev-875 --&gt;
&lt;/table&gt;</summary>
		<author><name>Toubiana</name></author>
	</entry>
	<entry>
		<id>https://enlightenment-revolution.org/index.php?title=Breitinger,_Johann_Jakob&amp;diff=130&amp;oldid=prev</id>
		<title>Admin: 1 revision(s)</title>
		<link rel="alternate" type="text/html" href="https://enlightenment-revolution.org/index.php?title=Breitinger,_Johann_Jakob&amp;diff=130&amp;oldid=prev"/>
		<updated>2008-02-01T02:29:22Z</updated>

		<summary type="html">&lt;p&gt;1 revision(s)&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Breitinger, Johann Jakob&amp;#039;&amp;#039;&amp;#039; (1701 - 1776), Swiss Literary Critic.&lt;br /&gt;
&lt;br /&gt;
Breitinger, along with [[Bodmer, Johann Jakob]], made the English poets such as John Milton unavoidable in any discussion of literary standards.  Born in Zurich, the son of a government official, Bodmer studied philology, theology, and history at the University of Zurich.  Bodmer’s first professional work consisted of writing scholarly works in Latin.  This produced his first major work, a critical edition of the &amp;#039;&amp;#039;Septuaginta&amp;#039;&amp;#039; (1730).&lt;br /&gt;
&lt;br /&gt;
Breitinger’s name and fame will always be linked with Bodmer due &amp;#039;&amp;#039;to Discourse der Mahlern&amp;#039;&amp;#039; (1721) a weekly journal which was modeled after the &amp;#039;&amp;#039;Spectator&amp;#039;&amp;#039;.  It was in this publication that they began an important critical trend in German literature by utilizing English, rather than French, works as standards of excellence for literature. &lt;br /&gt;
 &lt;br /&gt;
Breitinger’s most important theoretical works were &amp;#039;&amp;#039;Kritische Dichtkunst&amp;#039;&amp;#039; (1740) and &amp;#039;&amp;#039;Kritische Abhandlung von der Natur den Absichten, und dem Gebrauch der Gleichnisse&amp;#039;&amp;#039; (1740) in which he attacked the strict formalist criticism espoused by the leading German critic of the day, [[Gottsched, Johann Christoph]].  Breitinger defended the broadest possible use of imagination and the wonderful in poetry. He emphasized an approach that he and Bodmer termed autoelic writing, which meant, art for art’s sake.  Breitinger also reintroduced the German public to Homer as well as introducing them to the works of [[Pope, Alexander]] and John Locke.&lt;br /&gt;
&lt;br /&gt;
In 1731 he was named professor of Hebrew and Greek at the Carolina Gymnasium in Zurich where he remained for over thirty years.  Breitinger died in Zurich in 1776.&lt;br /&gt;
&lt;br /&gt;
Further Reading:&lt;br /&gt;
&lt;br /&gt;
F. Radant, &amp;#039;&amp;#039;From Baroque to Storm and Stress&amp;#039;&amp;#039;, 1977.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;B. Keith Murphy&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
	</entry>
</feed>