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	<title>Kent, William - Revision history</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Kent, William&amp;#039;&amp;#039;&amp;#039; (1684-1748): English landscape gardener.&lt;br /&gt;
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William Kent was born in Yorkshire. With local patrons&amp;#039; support he went to study in Italy in 1709 and made a living as a guide for English noblemen making the Grand Tour. In 1719 he met Lord [[Burlington]], with whom he formed a lasting friendship.&lt;br /&gt;
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With Burlington as his patron, Kent helped to develop and popularize neo-Palladian architecture such as Burlington&amp;#039;s at Chiswick House, whose gardens he designed. Neo-Palladian style was an English version of Sixteenth-Century Andrea Palladio&amp;#039;s &amp;#039;&amp;#039;The Four Books of Architecture&amp;#039;&amp;#039;, based on classical principles.  Kent was a friend of poets [[Pope, Alexander]] and James Thomson, whose book &amp;#039;&amp;#039;The Seasons&amp;#039;&amp;#039; (1730) he illustrated with Claudian elements: pastoral scene, a mountainous background and classical buildings in mid-ground.&lt;br /&gt;
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Kent&amp;#039;s training in art influenced his incorporation into landscapes of architectural structures. Like [[Vanbrugh, Sir John]], Bridgeman, and Gibbs, Kent&amp;#039;s landscapes incorporated “gothick” and classical temples and &amp;quot;follies&amp;quot; (fanciful pseudo ruins in Gothic style, Oriental towers or pagodas, and &amp;quot;hermitages&amp;quot; of crudely-assembled stone or wood and thatch).   Kent&amp;#039;s buildings were intended to remind educated viewers of historical or mythical figures and stories, and required their active imaginations. His work as a set designer and his knowledge of Renaissance gardens, which incorporated outdoor theatres, also influenced his style.&lt;br /&gt;
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Of his trademark use of the ha-ha, Horace Walpole wrote, &amp;quot;he leaped the fence, and saw that all nature was a garden.&amp;quot;  The ha-ha, a submerged fence, separated the garden areas near a house from its farther, more naturalistic grounds; originally called an &amp;quot;Ah! Ah!&amp;quot; for its element of surprise, the ha-ha was borrowed from Italian design through an English translation of the French designer D&amp;#039;Argenville&amp;#039;s &amp;#039;&amp;#039;La Théorie et la Pratique du Jardinage&amp;#039;&amp;#039; (1709, trans. 1712). Kent broke with Italian- and French-influenced geometric garden design to create irregular arrangements of trees and winding, or &amp;quot;serpentine,&amp;quot; paths and streams. He was praised for his painterly use of contrasting shade and light, for irregular groupings of trees on hilltops, for &amp;quot;plantations&amp;quot; (thick plantings of trees, sometimes in rows) to hide undesirable scenes, and for graduated levels of a stream meandering to the horizon. In his new English, naturalistic treatment of the grounds of an estate, Kent was the precursor to [[Brown, Lancelot &amp;quot;Capability&amp;quot;]].&lt;br /&gt;
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Kent is well known for designing the Horse Guards block in Whitehall, London. Besides Chiswick House&amp;#039;s grounds, he designed or re-designed the gardens at Rousham, Oxfordshire, c. 1737, with an arcade below a terrace and its Temple of the Mill; Claremont; Ester (where he was called &amp;quot;Kentissime&amp;quot;); Hampton Court; Stowe, which contained a great number of architectural structures; and Lord Leicester&amp;#039;s Holkham Hall. He died at Burlington House.&lt;br /&gt;
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Further Reading:&lt;br /&gt;
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John Dixon Hunt, &amp;#039;&amp;#039;William Kent: Landscape Garden Designer&amp;#039;&amp;#039;, 1987.&lt;br /&gt;
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Margaret Jourdain, &amp;#039;&amp;#039;The Work of William Kent: Artist, Painter, Designer and Landscape Gardener&amp;#039;&amp;#039;, 1948.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Mary Jane Curry&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;</summary>
		<author><name>Admin</name></author>
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